The White Castle, which is a part of Johan van der Keuken’s North/South series, focuses on the effect that the West has on the underclass. More specifically, it examines the actual reality of their day-to-day lives as well as the ways in which their existence is isolated and frustrating.
The film vividly illustrates the fragmented, alienated lives that are produced by the market economy, and it portrays in a chilling manner what van der Keuken saw as “a conveyor belt [that] runs across the world.” The film interweaves images of the Spanish tourist mecca of Formentera, a community center in Columbus, Ohio, and factories in the Netherlands.
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